![]() ![]() government, and makes reference to the President John F. You're tortured and tormented, and get the crap scared out of you, and then you die." Other references to the Illuminati are made in this movie's dialogue, specifically in the scene in which Darla tells Jenny about the thousands-years-old secret society in control of the U.S. Of course, it does produce a transcendent experience. Commenting on this movie's ominous Rothman character, Henkel stated, "He comes off more like the leader of some harum-scarum cult that makes a practice of bringing victims to experience horror on the pretext that it produces some sort of transcendent experience. In a retrospective interview, writer / producer / director Kim Henkel confirmed that the basis of the subplot was influenced by theories surrounding the Illuminati. Has been noted for its implementation of a secret society subplot driving Leatherface's family to terrorize people in order to provoke them to a level of transcendence. I just started going to everybody I knew and I got it in bits and pieces, wherever I could." Kim would say, 'Hey, so-and-so is interested, and it might be a deal we can live with.' So we'd talk to 'em and I'd ask three or four hard questions, and I'd just kind of look over at Kim and he'd say 'Yeah.' Then I'd go back and start trying to raise some more money. But I knew there wasn't any hope of us making one we could live with. At that point, I'd raised some money, but not nearly enough to make the film, and we looked at the possibilities of making a deal with a distributor. ![]() Then we went out to the American Film Market in Los Angeles and talked to a bunch of people about financing. I raised the money to get it written, and for us to start trying to put this thing together. And the first major thing was getting him to write the script. In developing this movie, Executive Producer Robert Kuhn stated: "I wanted to go back to the original, and he ( Kim Henkel) did, too. ![]() The ineffectiveness of it all of this is intentional, and we know this because a man in a limo pulls up and openly acknowledges it. The dinner sequence, originally one of the most effective and horrifying scenes ever committed to film, goes so far off the rails, it climaxes with Jenny turning the tables on her captors and scolding Leatherface into sitting down and shutting up. The family, no longer backwater cannibals, dines on pizza instead of the fresh meat of their victims. #The texas chain saw massacre trivia movieHe cites Leatherface's ineffectiveness at dispatching his victims, as well as the archetypal teenage characters as evidence of this movie being a commentary on the declining state of horror movies in the late 1980s and early 1990s: Leatherface, once efficient, methodical, and nearly silent, now struggles to competently capture or kill his victims, all the while screaming like a petulant child. ![]() Justin Yandell of "Bloody Disgusting" interprets this movie as a cynical re-imagining of Техаська різанина бензопилою (1974), with Henkel parodying his own work. This movie is recursive in that it opens with an intertitle referring to two "minor, yet apparently related incidents," a joking acknowledgment of the previous two sequels. ![]()
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